I mac'd up the fingerprint idea. The scan of my fingerprint wasn't that good, if I want a better scan I would need to use a better scanner. The font I used was 'apple casual', I chose it because the flow of the characters went very well with the fingerprint lines. The results are pretty cool, but there is definitely no question that I want to carry on experimenting further...
Monday, 29 March 2010
Better start designing my font! | Early Sketches
I do have a couple of ideas on some font designs. Now I will agree that they are not the most original and creative typeface ideas, but hey, gotta start somewhere right?
I was thinking of making a typefaces out of DNA related stuff, so where else to start than your own fingerprints? I will be scanning in my fingerprints and start making some cool characters out of that...... possibly........... hopefully! I was also thinking about(and this is the least original of the two ideas) making letters out of the DNA shape, if I can find any letterforms in there that is.
These ideas are just to kick start me into the whole design process, I will gradually pick up much more inspirational places to create letterforms from!! for now, LETS HAVE SOME FUN!
The DNA Song | Inspiring?
THE DNA SONG! What an awesome find on youtube. Even though its basic information I know already, buts it's nice to listen to it in musical form! ''Hip Hip Hooray for DNA!'
Sunday, 28 March 2010
Hans Hofmann | Abstractly Inspiring
Now I know this doesn't entirely relate to my typographic approach to the project, but since I have looked at the artist Anish Kapoors work, I just had to put in my research some of Hans Hofmann's INCREDIBLE paintings. Similar to what I loved about Anish Kapoors work(the colour), I adore the colours used in Hofmann's work! The expressive strokes, abstract shapes and just the mixture of those warm colours, makes his art a pleasant and inspiring experience.
Ambitious Times...
Seven Ages of Britain
"The Age of Ambition"
It's just that time, in my research, to look up artists and movements that changed the whole face of modern art as we know it now. I watched this documentary, that followed David Dimbleby, to look through the mystical window to the past and also to look at modern day art/artists and ask the question, 'What art tells us about ourselves and our past?'. I was really hooked at the last 19 minutes of the one hour documentary, as it discussed modernist art, and how artists from that era thought how art should be shown to ordinary people, which changes the way how people see and feel about art now.
First were the unusual but very inspiring couple, Gilbert and George, or as they like to call themselves, 'Living Sculpture'. Their dance at the end was certainly entertaining!
I couldn't find the more explicit work by the living sculptures, which I honestly found more inspiring, but these examples sure do give a sense of how these two guys find themselves as living, breathing art, and want to show that to people. But the reason I like their explicit work much more interesting and definitely inspiring because what George and Gilbert want to show in their pictures is their interpretation of the question, 'what do I want to say to the world today?'. Their work certainly is confrontational, and that's what I love about it and also the fact about modern art, how(compared to art in the past) it is all about shock and outrage from the audience, since art in the past was all about beauty and craftsmanship. I guess that was just another goal for modernists, to think different, and be different.
Another thing about the living sculpture's work, is that it is very open, and it comes to terms with what people would think is disgusting and damn right shocking, and making them think that its completely normal to be open about yourself like that, which is definitely a point worth thinking about. The documentary goes on to expand this point and introduces Tracy Emin, who also does artwork that gets some serious heads turning.
But what seriously reached to me was the artist Anish Kapoor's wax work. The total size and vibrance of the work was what made it totally attractive, even though it was rather disgusting at first to look at.
This documentary definitely showed me a whole new face of modern art, and it taught me how you should be free with your work, and to take risks, and do what you think is right, or for a change, do what is wrong, I mean, either way, you could end up with interesting and unexpected results!!
Unique looking typefaces...
I found some really incredible typefaces, as I was looking for typefaces with original concepts that might give me a new direction of thinking about how I want to create my font(s).
This is an example of a highly original typeface, but with some setbacks because of its own stylisation. What I mean to say is that, letters like the 'R', 'N' and 'X' are a bit confusing on their own. The font is called, 'Getting Blocky', designed by a Deviant from deviantart.com
LDJ Crafty: This is a very fun looking , hand drawn typeface and it is totally traditional, so its very unique and inspiring.
In contrast to the previous font, these chunky, proportional, block characters in this font 'MOD', show some high use of technical skills, but that all goes down the pooper when there is no clarity in the font. But I just put this example up, for the imagination behind the font.
Pyramid: Each letter in this typeface has been designed as a pyramid, viewed from a birds eye view. Even though not every character is as legible as it should or could be, the design is really impressive and creative.
Adry of Hanabi: You get a sense that this typeface is based on European street art, as it reminds you a bit of that. Most of the characters incorporate a relaxed, spiral design, which has a graffiti like feel.
Sunday, 21 March 2010
Shinichi Maruyama...
I wanted to mention this artists work purely because the energy behind it, it's just so powerful! Japanese artist Shinichi Maruyama, does awesome photos in super high speed of ink and water mixing. I specifically like the frame where you can actually see him doing it.
If you want to see more of his fantastic work see http://shinichimaruyama.com/
Alison Carmichael...
Alison Carmichael is a hand lettering artist, and I think it's very inspiring to see artists like her, that still do typography by hand, are not consumed by taking assistance of a computer in this highly technological time(if that made any sense).
More at http://www.alisoncarmichael.com/
Am I Collective...
Am I Collective is a brilliant studio based in Cape town, South Africa and they are multi-talented group, specializing in typography, illustration, 3D and much more. But I have fallen in love with their beautiful lettering, and the intricate detail that goes into them.
There's is lots more to see from them at http://www.amicollective.com/
Thijs Verbeek | Typography with a Pinch
I came across this dutch designer, who used his skin to create the alphabet, honestly it is kind of disturbing to look at but interesting too, purely because of how experimental it is. It reminds me a bit of Stefan Sagmeister AIGA poster and Oded Ezer's typoplastic surgeries...
The rest of the alphabet can be viewed at Verbeek
Typography Artists | Inspiration
These are a few typography artists with some amazing designs, each of their styles are different and definitely inspiring
Nicolas A. Girard | http://goodmorningstranger.com/
Islam Zayed | http://www.behance.net/DZL86
Theo Aartsma | http://www.sumeco.net/
Daniel Gordon | http://www.behance.net/DanGordon
WaHt mAKes A gOOd TypEFaCe?
The question of all question, what does make a good typeface? Does the perfect type has to have serifs? Does it have to have a variation of weights in a single letter?
Im in the search for the answer to this question, to personally help me create my typeface. I have created a typeface from scratch before, so I understand the stages and important decision you have to make when designing a typeface, while keeping the thought of the type anatomy in your head at all times. I have previously read books like, 'Thinking with Type' by Ellen Lupton, and 'A smile in the mind' by David Stuart, so I can just look them up again from my previous project. But I also found some great sites on the net that discuss this question, and give an unbiased view of the matter.
This 2 part article from Upper & Lower case magazine discusses how factors like consistency, legibility, spacing, kerning and even colour and texture are what makes a typeface good and worth your time. The other part goes on about what makes a good display typeface, but the same factors are involved except fro colour and texture.
Here is a list from ilovetypography.com, showing some really inspiring, modern typefaces. Including fonts like Giorgio Sans, Hopeless Diamond and many more.
This post from Smashing Magazine, showcases some great typefaces that are very unique and incredibly beautiful. Including fonts like Helvetica, Guardian, Tang and many more.
Font Design | Blog
Alan Fletcher...
Alan Fletcher is a British graphic designer who has influenced thousands of other designers. HE presents simple typography on a plain background in a witty and thought-provoking manner, to show that good art didn't have to be over complicated but if it can be delivered simply and effectively without being bored, then it is a success.
Alex Trochut...
A graphic designer from barcelona, he is one of my typography/illustration idols, his work is just so mesmerizing, as his work doesn't really focus a on 1 style, its much more experimental, expressive and the exploration in each of his projects makes his work very unique and different. His lettering work is just amazing.
You can see more of Alex Trochuts work at http://www.alextrochut.com/
Mendel's Law of segregation | Gene Transmission
Genes are located in chromosomes and consist of DNA and so are passed from parents to their offspring through reproduction.
Mendel worked with pea plants and selected seven traits to study that each occurred in two different forms. One of those traits were pod colour, as some pea plants are green and others yellow and since pea plants can self fertilize, Mendel was able to produce true-breading(a yellow pod plant would only produce yellow pod offspring) plants. Mendel's experimentation lead him to discover what would happen if he were to crossed a true-breeding yellow pod plant with a true breeding green pod plant. He referred to the parental plants as the P generation, and the offspring were called the F1 generation.
After Mendel cross-pollinated the true breeding green and yellow pods, the offspring (F1 generation) were green. Then Mendel let the F1 plants self pollinate and these offspring were named the F2 generation. The results came out to be that about 3/4 of the offspring of the F2 generation were green and the 1/4 yellow. These experiments let Mendel come up with his law of segregation.
This law of segregation puts across that allele pairs separate during gamete formation and randomly unite at fertilization. This ides leaves different concepts like 1, there are alternative forms of genes which means that a gene can exist in more than one form. 2, when sex cells are produced allele pairs segregate, which leaves them with a single allele for each trait. Also, when two allele pairs are different one is dominant and the other is recessive, like shown in the illustrated picture above.
Labels:
FMP,
Gene Transmission,
Law of Segregation,
Traits
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